Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jeanne-Philiberte Ledoux
Portrait of a lady, said to be the Duchesse de Choiseul

ID: 81905

Jeanne-Philiberte Ledoux Portrait of a lady, said to be the Duchesse de Choiseul
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Jeanne-Philiberte Ledoux Portrait of a lady, said to be the Duchesse de Choiseul


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Jeanne-Philiberte Ledoux

painted Portrait of a lady, said to be the Duchesse de Choiseul in 18th century   Related Paintings of Jeanne-Philiberte Ledoux :. | intendenten vid nationalmuseum gustaf upmark | a view down a corridor | Arter the concert:nadezhda zabela-Vrubel by the fireplace wearing a dress designed by the artist | Captive in the Prison | The Familly (mk12) |
Related Artists:
BREENBERGH, Bartholomeus
Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.
Louis XIV s

georges rouault
georges rouault(1871 to 1958),French painter, draughtsman and printmaker. Although he first came to prominence with works displayed in 1905 at the Salon d Automne in Paris, in the company of paintings by Henri Matisse and other initiators of Fauvism, he established a highly personal and emotive style. His technique and palette were also highly personal, and they ranged from watercolour blues to a rich, thick application of materials. These demonstrate, in their very complexity, not only originality but also the craft of the artist always in search of a greater form of expression. Even though he never stopped observing mankind, his deep religious feeling allowed him to imbue his work with great spirituality.






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